Archive for October 2017 | Monthly archive page
They used to be called’ records’. It’s old-timey. It has a good sound to it. A record, a sign that something happened, proof, a faithful witness: These stories and songs were recorded live on tours of Australia, New Zealand, Wales and England in early 2017.
Concerts for Turbulent Times they surely were, sonorous hours and rapture. Our times were served by whatever talents of tongue and timbre have been granted the band and theard, by the reckless labours of friends and accomplices met and unmet who fashioned genuine gigs in their home towns from their dreams for a better day, and by the raucous willingness of the sold out houses to be drawn into wonder and poetry and the kenning.
The doors were pried at night’s end, and still many lingered and couldn’t leave or wouldn’t, and there was something like victory in the air, and a weary, luminous midnight rumour that people heretofore unknown to each other could still join for the sake of the young among them and for the world entrusted to them, and that the Mercies count us kin, and that wonder is the currency of the Gods.
It was powerful business. We got home, couldn’t settle in. The recordings turned into something like dry lightning, like something somebody who wasn’t there might want to know about. The band went back to business, made offerings to the dance hall Gods, gave them their proper seat at the proceedings, brought all the road-tested learning to bear, tuned the whole thing up. What you have in your hand is something like thunder and a far-off storm, faithful to those strange, merciful nights.
A storyteller. A band. An evening of mongrel sorrow, dappled by magic and wonder, fringed with regard for the gift of the tongue, harkening and hortatory and bardic and greying, steeped in mortal mystery, uprooted from its uncertain home in the North of America and cast divination-style like bones on a dusty proving ground down under and over in the old dirt. What would you call such a thing? We called it Nights of Grief and Mystery.
Available October 29th, 2017. Pre-orders on sale now. All CD version pre-orders made before the official launch will receive a signed copy from Stephen and Gregory. Order online exclusively on orphanwisdom.com
Dying well is not a matter of enlightened self-interest or personal preference. Dying well must become an obligation that living people and dying people owe to each other and to those to come. Dying could be and must be the fullest expression and incarnation of what you’ve learned by living. If you love somebody, if you care about the world that’s to come after you, if you want somebody to be spared the lunacy of what you’ve seen, you’ve got to die wise. From his two decades of working with dying people and their families, Stephen Jenkinson places death at the centre of the page and asks us to behold it in all its painful beauty. Dying well is a right and responsibility of everyone. It is a moral, political, and spiritual obligation each person owes their ancestors and their heirs. It is not a lifestyle option. It is a birthright and a debt. How we die, how we care for dying people, and how we carry our dead: this work makes our village life, or breaks it.
Stephen teaches internationally and is the creator and principal instructor of the Orphan Wisdom School founded in 2010. With Master’s degrees from Harvard University (Theology) and the University of Toronto (Social Work) he is redefining what it means to live, and die well. Apprenticed to a master storyteller, he has worked extensively with dying people and their families, is former program director in a major Canadian hospital, former assistant professor in a prominent Canadian medical school, consultant to palliative care and hospice organizations and educator and advocate in the helping professions. He is also a sculptor, traditional canoe builder whose house won a Governor General’s Award for architecture. He is the author of Die Wise: A Manifesto for Sanity and Soul (a book about grief, and dying, and the great love of life, released March 2015), How it All Could Be: A work book for dying people and those who love them(2009) and Money and The Soul’s Desires: A Meditation (2002). He was also a contributing author to Palliative Care – Core Skills and Clinical Competencies (2007). Stephen is the subject of Griefwalker, a National Film Board of Canada film (2008).
The Sand Emergence Series
The Emergence Series is a constellation of conversations with SAND speakers and teachers, intended as an exploration of the emergence palpable in the collective field at this time and an opportunity to connect with others in our community holding a ‘large vision’ and dedicated to the evolution of consciousness on the planet.
Old structures are being shaken up, old stories have come to their limits, old systems are failing us. What is emerging, where do we go from here, how do we hold it all in the tenderness of the awakening heart? What wisdom do the worlds great lineages and traditions have for us and what does the meeting of science and nonduality contribute to the emergent conversation? How does a mystic respond to a world in crisis?
Through the magic of technology, the Emergence Series is open to the participation of the entire global SAND community, LIVE! There will be opportunities to have personal interaction and ask questions of our guests. Our intention with this online series is to foster conversation, connection and community in between conferences and to offer windows of contact, wisdom and heart.
We invite our teachers to engage us from a perspective of embodied, living wisdom, and offer practical guidance that can support us in our relationships, our work, our community and our world at this time.
The Emergence Series is facilitated by Vera de Chalambert, a Harvard-educated religious scholar, spiritual story teller and fellow SAND speaker.
Watch the Video Below